## π― Activities Practiced
- **Technical Exercises**
- Focus: Bmaj, G maj scales, Gmaj arpeggios with forearm rotation.
- **Repertoire**
- Focus: Clementi.
- **Sight Reading**
- Focus:
## π Notes & Observations
- Practiced Bmaj scale, Gmaj scale, and Gmaj arpeggios (root and second inversion). I feel like I am getting the rotation movement and definitely see how it reduces stress in the webbing of the thumb and index, but I simply do not get how you get a smooth scale this way. You play 123 and then rotate onto C with 1 again and with the rotation movement thereβs a pause in between and it sounds disjointed.
- Worked through measures 9-11 of Clementi trying to get the hang of Alberti bass w/ metronome. Fun fact: thought I kinda got it then listened to a recording and was amused to find I donβt sound like that at all.
- Learned measures 12-15. Decent.
- I played measures 1-15 all the way through. Def need to work on 9-11 and the connection to 8 and 12. V disjointed.
## π Quick Stats
- **Duration** (min): 76